(Last updated on June 18th, 2021)
Filmora or Adobe Premiere Pro, which video editing software is better in 2021?
See this ultimate Filmora vs. Premiere Pro comparison to make a smart decision.
We have consulted hundreds of customer reviews and tested both editing software for countless hours so we can give you an accurate picture of which platform will suit you the best.
While there are a few versions of Filmora, we have decided to consider FilmoraPro versus Adobe Premiere Pro, as they rival each other the closest.
Comparison at a Glance
Winner: Adobe Premiere Pro. Premiere Pro’s interface has been fine-tuned for many years. This is the defining aspect of many editing programs, which is no different for Premiere and Filmora. In fact, it almost feels like Filmora rips off Premiere’s interface, meaning that it is slightly lower in quality and functionality.
2. Ease of Use
Winner: Filmora. This is where Filmora wins hands down against Premiere. Filmora is designed specifically for new users and thrives when new users access the preset text, transitions, and effects.
Winner: Adobe Premiere Pro. The text and titles offered in Premiere are defined by the customization you want as a user, which is much greater than that of Filmora.
4. Color Correction
Winner: Adobe Premiere Pro. Premiere allows you to manipulate color via waveform, linear graphs, sliding scales, as well as color wheels. And this goes for almost every aspect of color correction, which greatly outweighs the offerings of Filmora.
Winner: Adobe Premiere Pro. Premiere’s customer base is so large that the demand for specialized plugins gives rise to a wide array of third-party plugins that not only is greater than Filmora but also every other program in the industry.
6. Effects and Features
Winner: Adobe Premiere Pro. The effect and features offered in Premiere Pro are hailed by many video-editing professionals and are much wider in scope than Filmora.
Winner: Filmora. Filmora Pro is offered for a flat fee of $149, while Premiere Pro is offered for $20.99 per month.
Premiere Pro is the industry standard in video editing, while Filmora is a beginner-friendly editor with a much lower learning curve. Premiere Pro is used by millions of professional editors around the globe, while Filmora is mostly used by novice editors.
While these two editing platforms look similar on the surface, they are drastically different in functionality. They even cater to different niches of editing expertise and customer bases. For example, Premiere Pro is more of a professional editing platform and therefore caters to more professional editors. Whereas Filmora is more of a beginner platform better suited to new editors and people looking to do more simple edits.
That being said, the clear winner between these two platforms is Premiere Pro, as the effects offered are superior, the color correction tools are more advanced, and the interface is set up more for extensive features and professional edits.
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Filmora offers a lot of nifty effects, text tools, and filters along with basic video cutting.
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Generally speaking, the interface of an editing platform defines the functionality of the platform. However, Filmora has sneakily designed an interface that looks almost identical to Premiere Pro.
The only thing is that its interface lacks the functionality of Premiere Pro. Because of this, Premiere Pro has a higher functioning interface than Filmora. That being said, the interface is a great design and therefore bodes well for Filmora. Let’s analyze it in more depth.
Let’s first look at Filmora.
As you can see when comparing it to Premiere, the similarities are evident. Starting with the bottom panel which makes up the timeline, the cursor, clips, and layering, are modeled directly after Premiere Pro. One thing that is extra on Filmora is the export button which provides for quick access to exporting.
The media panel is to the left of the timeline, which gives access to clips that are saved externally and on the computer. However, it lacks the extensive import options that are offered in Premiere.
Above the media panel is the effects panel. Here we have tabs that can manipulate the effects such as controls, scopes, text, and layout. These tabs are slightly confusing as many effects only need one of these tabs.
In the top center, you will find the media preview panel. This will allow you to playback clips that are selected, and only those. Next to that is the playback panel. Different from the preview panel, this panel is dedicated to the timeline, so you can look at two different frames side-by-side.
Right off the bat, you can see the similarities in the Premiere interface. The bottom right panel is the timeline, which has a similar cursor and clip appearance. Even so, you can change the colors of the clips to quickly and easily organize the footage within the timeline.
One thing that Premiere offers but Filmora doesn’t is the quick mute layering option in the timeline. You can also make an entire layer invisible on the left-hand side.
The bottom left panel is the media panel. Unique to Premiere, you can import media directly into the project here by navigating through the library tab. This even allows you to import from an external drive.
The top left panel is the effects panel. Unique to Premiere, this is also the preview panel, making the interface slightly more efficient. Here you can manipulate the effects, text, and graphics, as well as preview clips all in the same place. Next to this is the program panel, where you preview the timeline. You can even move layers manually by dragging and dropping in this panel.
Overall, the similarities are clear between the two platforms until you look a bit deeper. Every panel in Premiere offers a bit more than in Filmora. Of course, both Filmora and Premiere can be manipulated by users to create a totally custom interface. On top of that, there are preset interfaces for a specific type of video editing like color correction, graphics, text, and editing.
Premiere’s features in each panel are simply more extensive than in Filmora. The muting of layers, importing via libraries, effects and preview being combined, and manipulation directly on the program panel make Premiere a better overall interface than Filmora.
Winner: Adobe Premiere Pro
2. Ease of Use
This is the category in which Filmora thrives and Premiere Pro lacks. Of course, the interfaces look similar, but the functionality greatly differs. And this is where you see that difference.
When initially launching the program, Filmora is significantly easier to use than Premiere Pro. As the saying goes, where people can mess up, they will. That saying goes especially for Premiere. With its extensive features, a wrong click and a new user could be trapped in a disastrous scenario.
Filmora offers a wide array of preset transitions and titles that are easy for beginner editors to place into the timeline and even customize. However, the customization is limited, which is usually not a barrier when it comes to new editors.
Premiere Pro is admittedly not the best choice for a beginner editor. However, if you are able to get over that initial hurdle, albeit obstructive, you have access to the best tools in the industry. If this isn’t your intention and you’d rather crank out videos in a fast manner, perhaps Premiere isn’t the program for you.
If you’re the type of person who doesn’t want to be super involved in the editing process and would rather have access to quick and sleek looking preset transitions and titles, without caring about making things perfect but rather made out of a cookie-cutter method, then Filmora is the program for you. And that also makes it the easier of the two programs to use.
Both Premiere Pro and Filmora offer a wide array of text and title options. However, if we were to pin one down for having the most extensive and best text options, it would, without a doubt, be Premiere Pro. While Filmora has a wide array of preset titles, Premiere Pro prides itself on offering a totally customized experience.
Let’s take a look at Premiere first. Of course, there is a graphics panel that allows you to access an interface to add and manipulate text in a quick manner. You can change the font, centering, and style of the text really easily in the effects panel. You also have complete control over the leading, threading, drop shadow, and so much more.
On top of that, you can use plugins to get really nice and custom titles that are animated. Speaking of animation, Premiere’s partner program, After Effects, gives you even more control over text, allowing you to add 3D titles that actually are embedded into the footage you’re using.
Filmora has more of a preset base than Premiere. This means that, while the titles are easier and faster to implement, the customization isn’t quite there. For example, it’s a bit more difficult to animate titles, and you certainly cannot embed the titles into the footage using 3D trackers.
Because of the high level of customization, animation options, drop shadow, and effects, Premiere Pro has a wider range of control over text than Filmora. Therefore, it is the winner of the text/titles category.
Winner: Adobe Premiere Pro
4. Color Correction
Color correction is an often overlooked aspect of post-production that can drastically improve your footage and project. This is because color correction can allow you to give your project a unique and specific mood, allowing the viewer to feel different emotions.
Of course, this level of finesse when it comes to coloring clips is limited by the program you’re using. Premiere Pro has a more extensive array of coloring features and tools than Filmora. And we’ll explain why by taking a look at what Filmora offers first.
Filmora’s color correction tools look fairly simple, and that’s because they are. You can change the temperature, saturation, contrast, add luts, copy and paste the presets, and more. Best of all, it’s easy to do. Most of the tools make sense to a first-time editor.
The only downside to this approach is that you don’t have the full level of control that you do with a professional color correction platform. And in most cases, especially for quick projects, that is just fine.
Now, if you want full control, Premiere Pro is the program for you. If you’re a professional editor or looking to improve quality and find a program that you can stick with that has extensive coloring options, Premiere is the program for you.
As you can see in the photo below, you can color through waveforms, linear graphs, and color wheels. Not only that, but you can manipulate the highlights, shadows, and temperature of the highlights and shadows. On top of that, you can easily isolate colors and increase saturation, hue, temperature, and exposure. Compound that with other colors, and any look you wish to create, you can get with Premiere Pro.
Winner: Adobe Premiere Pro
Filmora and Premiere Pro vary greatly when it comes to plugins. While Filmora doesn’t have many external plugins available, the user base generally doesn’t need that and wouldn’t use it if there was.
These plugins require an extra layer of specialization, and that requires an extra step to actually go out on the internet and find exactly what you’re looking for. Premiere, on the other hand, has probably the widest array of third-party plugins in the industry.
Filmora’s approach to plugins is simple: take what the new users will want and onboard them into the system. This is nice for simple transitions and title effects but lacks the options. If you’re looking for a specific design or transition, you’ll most likely encounter only one option that matches your intention, which is nice and makes for an easy decision. But if you’re seeking options that can match your project exactly, Filmora lacks.
Premiere Pro offers a huge array of options. Well, not exactly Premiere but its users. Because the user base is so large, and the users also require specialized plugins, the market thrives for those that develop these plugins. They are offered for free, but also for a small fee to support the developers.
Third-party plugins that are offered for Premiere vary greatly in nature. There are plugins like Twixtor which allow for seamless integration of slow motion even though your frame rate doesn’t exactly allow for this. There are even luts from Peter McKinnon that allow you to match his video look easily. This just scratches the surface of what is out there in the internet world for third-party plugins available for Premiere.
Because of Premiere’s large user base, the demand for specialized third-party plugins is through the roof, allowing many developers to actually make money producing these plugins, many of which are free of charge to drive interest in other plugins. And because of this, Premiere Pro is the clear winner of the plugin category.
Winner: Adobe Premiere Pro
6. Effects and Features
While Filmora offers many effects and features in the program, they can be monotonous and overused. Effects that you see on many videos out there like light leeks and fancy-looking transitions can almost be not fancy when they become overused. And many of the effects in Filmora fit this mold, unfortunately.
That being said, these Filmora effects are super easy to use and can drastically improve your project. However, if you want access to real and customized effects, Premiere Pro is the program for you.
Not to overdo the plugin situation, Premiere Pro also has many totally customizable effects in the system. These include motion tracking to track an object and replicate the motion onto another object or layer and warp stabilization which takes shaky footage and smooths it. Warp transition can also be used to take handheld footage and make it appear as if it was shot on a tripod and vice versa.
Premiere Pro also offers a wide array of audio effects that allow you to normalize levels, improve audio quality by removing background sounds and static, and change pitch to fit a different tone. Because of these audio and video effects and features, Premiere Pro is the winner of the effects category.
Winner: Adobe Premiere Pro
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Filmora is actually offered for free, however when attempting to export your project, there will be a watermark embedded on your project, which is not ideal. To get this watermark removed and improve just about every aspect of the program, FilmoraPro is offered for $149 which much more closely rivals Premiere Pro in terms of quality.
Premiere Pro is a bit more complicated, as it is offered for a monthly subscription fee of $20.99. However, to really get access to all of what Adobe offers, including Photoshop, After Effects, Lightroom, and Premiere included, a monthly subscription fee of $52.99 gives you access to the whole Adobe Creative Cloud Suite of applications.
Adobe also offers student pricing and frequently cuts the price by 40% for periods of sales. There is also a 7-day trial that gives you access to the full Creative Cloud Suite before charging you.
However, because the one-time fee is generally more ideal, Filmora wins the pricing category.
Of course, each individual user must choose the program that fits their needs, and both of these programs fit different individuals. If you’re a brand new editor, looking to make quick videos and aren’t concerned with totally controlling every aspect of your projects but incentivise ease of use, Filmora is the program for you.
On the other hand, if you want full control of the project and are looking for a program that gives you access to the best features and effects in the industry, Premiere Pro is for you. More so, if you want to really challenge yourself and become a professional in the film industry, Premiere Pro will grow and improve as you grow and improve as an editor.
Frequently Asked Questions
Each program fits a different user base. Generally speaking, though, based on hundreds of reviews and extensive testing, Premiere Pro offers much more than Filmora does.
Many professional editors would say that, yes, Premiere Pro is the best editing program. But this is subjective. There are other great competitors like Final Cut Pro and Avid Media Composer that are also used extensively as the industry standard.
Absolutely! Filmora is a great tool for beginner editors to learn the craft.
Adobe is a massive software company that charges a monthly subscription for its applications, including Premiere Pro. The tools, including Premiere Pro, are often used by professionals who do not mind paying a fee to use it.
Chris is an LA-based filmmaker and video editor who has a passion for writing and creating video content. He has produced and edited a wide variety of projects, most notably his documentary series “Off the Cuf,” which explores the world’s most fascinating and obscure communities. He has over 10 years of experience under his belt and is known for explaining complex concepts in simple, easy-to-understand way.
He is extremely familiar with all the top video editing software out there such as the Adobe Premiere Pro, Adobe After Effects, Final Cut Pro, iMovie, Adobe Animate, and DaVinci Resolve. Chris also has extensive know-how of top graphic design & photo-editing tools, including Photoshop, GIMP, Canva, Snappa, and more.